How One Writer Avoids Writer’s Block
After
writing nothing for 35 years, I returned to writing in 2008,
concentrating on poetry and then branching out into fiction and
nonfiction. The long hiatus was caused, I rationalized, by demanding
jobs, mostly as an editor of other people's copy. Work left me without
interest or energy to work on my own writing.
But
when I retired my wife bought me a computer and showed me where in the
basement my cardboard boxes full of unfinished poems had been lying
dusty in storage all those years. More importantly, she later told me,
in a kind way, that reading a poem of mine was often like "looking
through a kaleidoscope while listening to harpsichord.”
That
phrase became embedded in my mind so I had to write something to go
with it. It was a poem called “Kaleidoscope and Harpsichord,” since
published.
When
I hear a phrase or word I like, I often write something ahead of it,
around it and after it. I try to give it a home in a poem, story or
essay. Perhaps it’s a prompt, as some poetry editors might call it,
although I have never thought of it that way.
I
worked that way back in the 1960s when I first started writing before
employment and family obligations interrupted me. As a student, I would
jot a phrase or word on a napkin in some midnight diner and put it in my
pocket. Weeks later I'd find it and I'd start writing a piece around
the phrase or word. I doubt that many writers work this way. But it's
always been that way for me.
I
never know where a phrase or word will lead me and sometimes that's fun
but other times it can be difficult. But once I get a poem or story
going, I forget about the phrase or word that inseminated it and care
only about finishing the piece.
Let me offer an example. Once I told my wife to
take me to a taxidermist when I die because that's where I wanted to go
instead of to the local mortician. I told her that in semi-jest, of
course, but “take me to the taxidermist” wouldn’t leave my mind. Finally
it led to a poem of sorts. For better or worse, it may serve as an
example of how one writer has always avoided writer’s block.
Donal Mahoney
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