Wednesday, March 16, 2016

THOSE MORNINGS SPENT CLOSE TO DEATH
The night before is blurred beyond any recognition beside the odd random image and a feeling of immense guilt that hangs over Jack’s soul like Death sizing up his next victim.  Jack’s mind is a wreck; with very little recollection and an ever-increasing sense of doom.  He leans over the edge of his bed and realises that he has been sick in the night, fortunately in to a bowl and not all over his already horridly acrid carpet.  He is sick again and then collapses back on to his bed.  He tries desperately to remember anything from the night before.  There are images flashing through his mind but could they have really been from last night?  Surely not even Jack, with his haphazard knack of pissing off everyone, could have infuriated so many people in such a short period of time.  If they are his fear and sense of doom may very well be justified.
He initially witnesses himself chatting up a very young looking girl at his local bar.  She can be no more than twenty years old, maybe even one of those damn fresher students who’ve invaded town recently flushed with the idea of freedom and fun away from the prying eyes of parents.  Jack looks and feels old enough to be her father, easily twice her age.  He sees himself buying a round that seems out of kilter with his usual behaviour; they are clearly the actions of a drunken man, a horny and drunk old man out on a Friday night looking for some fun but that ain’t going to come tonight, not with this poor young girl whose probably just desperate to get back to her attractive and equally young friends and away from this old man who simply doesn’t get her.  He doesn’t get the fact that she doesn’t want to talk to him about anything ever, let alone his theories on a bunch of writers her Literature degree won’t even mention.  For Jack though it slowly becomes obvious that she isn’t interested and his wait for some fun will have to continue; it already feels long enough to have made women a complete mystery, hard to understand and even harder to seduce.
His head feels like it is being pounded into a pulp as he recoils in horror at how bad he really feels; he leans over and is sick again.  His mind races through some blunt emotions; he will never drink again, ok, he will never drink that much again, ok, he won’t be doing that amount of heroic drinking for a fair while or more likely he will not do it again until a new outrage afflicts his life.  He can’t remember what caused last night’s bout, it clearly had not been that horrific of an outrage, but it does seem to have been something he should remember as it had been months, if not years, since he’d experienced a hangover quite as bad as this one.  He simply couldn’t remember what had made him go so flat-out in his desire to get not just drunk but completely obliterated and concluded it was a conundrum that would remain forever shrouded in mystery. 
Jack finally decided he would try and get out of bed; it would take a Herculean effort to get his body from where it was to the kettle where he would boil some water for tea and then attempt to smoke a roll-up without any further negative repercussions from his body.   As he finally snuggled down on his sofa with his large mug of tea and roll-up the images in his mind refused to dissipate and again there was another young woman, this one though was clearly different as she just laughed him off and continued her night of youthful enjoyment.  Maybe, he thought, he had just spiralled from girl to drink to girl to drink until all the women had said no and all the drink had been drunk.  It seemed plausible as this hangover certainly suggested a huge quantity had been consumed and he concluded that he would inevitably find out the next time he returned to the scene of his delinquency. 
Bradford Middleton

Monday, March 14, 2016

Singa-pura
Warwick Newnham
Balinese wet season and as per the nights and weeks preceding the eight-o’-clock downpour drenches the streets of the strip with the monsoonal sheets of rain falling like waterfall and cascading the soaking tourists and locals to splash through the flashing drains and run laughing for the shelter of the Sari Club’s bamboo and thatched bars where young inebriates of all nations hoot and holler and knock back ‘Dua Bintang Bir Lagi’[1]and ‘Arak’ cocktails.                  

A smack of shrooming Aussie trawl trash cling to the bar like a small fleet besieged as the drunken in-coming flotsam crashes against them in a surge of sodden swimmers and shorts and t-shirts. In their haze they order bottles of ‘Arak’ and the drinks appear and float before them like neon jelly-fish as they shout the bar and each-other and they laugh like loons as Markovic, the engineer, intones in polish Basso-Profondo:

‘JED DRUNKEN RRYBA NYAH HAH HAH HAH!
DWA  DRUNKEN RRYBA NYAH HAH HAH HAH!
TRZY DRUNKEN RRYBA NYAH HAH HAH HAH!’[2]

Their laughter is infectious and with free drinks as berley they seine a shoal of Swiss-Miss-Back-Packers keen on inebriation and shouting. They join the joke with:

‘Yes ! You make like Se-Sa-Me Street Yes? You are ….how to say? Count?’

‘I not count’
I Prince!  Prince Markovich!’

The smack of shrooming Aussie trawl trash clings to the bar in paroxysms of hysterics as Markovich shouts them and the shoal to rounds of shooters and as one they toast him with:

‘One Count Nyah Hah Hah!’
And
‘ON YAH MARKY!’
And
‘Count! Count! Count! Count!’

Marky scowls at the degradation of his rightful title and flicking his hands at the Swiss-Misses with disdain he Ten-Hups and Right-Turns and as he Commence-March is suddenly face to face with a Comrade-In-Arms from Back-In-The-Day; Staunch, Stand-Up and True. Markey stops and starts and stares and mimics rubbing at his eyes with amazement: he laughs and Shouts:                                                                    

‘CZTERY DRUNKEN RRYBA NYAH HAH HAH HAH!’[3]

They greet each-other as trawl-trash-home-boys ‘MATE’ and lock fore-arm, wrist and fist: shouting at each other over the hubbub…

‘Still telling girls that
You are a prince I see?’
‘Vladimir…my friend!
You not as they say
Dead!’
‘Rumours as to my recent demise have been greatly exaggerated to say the very least. And it’s Val Count: Val!’
‘It is true …..Val!......that
Dead men don’t quote no
Oscar Vild[sic]….but do they drink?
‘I’m not a Fuckin’ Camel Marky! What do You reckon?’

‘I think, my friend we drink!’
‘Vodka, Vodka for my friend!’

‘What? Potato flavoured ethanol?’
‘No! Is special bottle…
I bring….just for
In case you not dead’.
‘You had me at vodka!’

They toast each other with skolled shots.

‘I heard you stuck in Gorge-town!
 I heard Val Got some lady problem.
You fall in love?’
‘No-No-No-No-No!
Wasn’t me!
Wasn’t There!
Didn’t Do It!’


‘Not being first time-
You remember last time?’

‘No-No-No-No-No!
That was In
Another Country
And Besides
The Whore
Is Dead.’
‘Shakespeare he remembers?
Shakespeare?
How you forget?
George-town?
Remember? ‘          
GeorgeTown:
Holed up at Ma-Ma-Sans’ Boarding-House-Bordello in GeorgeTown as the dry-season settles into everything and what  with the flies and the heat and the dust: where the only civilized responses are alcoholic siestas and repose until, finally, at dusk, a cool wind brisks in from across the bay and as the  temperature drops and the sun sets and they emerge blinking like marsupials in the early-evening neon stroboscope of flashing lighting as numbered dancing girls in swim-wear setting up for another night on the tiles.

Marky and Val kick off with a breakfast of Bloody Marys followed by a substantial luncheon of screw-drivers and then G and Ts’ for the malaria and the quinine in the tonic water and finally rum, dark and molasses and nasty.

Chinese gentle-men sit in rumpled white linen suits and are fanned and attended to by bar-girls in cheongsam slit hip-high; the tintinnabulations of their avian cooing and tittering attenuated in the general bar noise. They watch as Marky and Val drink themselves right and they cheer them on raucously shouting:

‘YESSSSSSS!’
And
‘GOOOOOOOD!’

Drunk with amorous intent Val scans the remaining talent seeing that all the good ones are with the ‘Chi-Na-Men’ and with that he orders more drinks and cigarettes and sends for his rickshaw-rider.

Marky, as per the nights preceding, dances with the Ma-Ma-San to pre-war 78s’, all scratchy and tinny, through a gramophone she keepsakes behind the bar. In reminiscence she keeps her eyes tight shut and faithfully clicks out Morse Code Messages in the staccato heel-tap of stiletto on tile as Marky leads her expertly through the passionate of re-enactment of the small death of the tango.

The Chinese gentle-men in rumpled white linen suits watch Marky and Ma-Ma-San tango and cheer them on raucously shouting:

‘YESSSSSSS!’
And
‘GOOOOOOOD!’

The record finishes and the dancers bow to each other; one with drama and flair, the other ornately and formal. Markey returns to his drink and says:

‘This, I never
Tire of doing this
Thing…this tango’
‘Good,……..Come On!’
‘Vhat to come on?’
‘The Gong Marky!
Let’s go kick the gong around!’
‘Vait: I thank the Ma-Ma-San’.
‘Fuck that…
Let’s get on!’
‘Is always time for manners, Val!’

Val and Marky exit the sanctuary of Ma-Ma-Sans’ into the noise of the pimps and touts and into the clamour of horns, mopeds and rickshaws. They emerge blinking like marsupials in the evening neon stroboscope of flashing signs of Love streets’ brothels and bars: illuminated, resonant and radiant. Their regular-rickshaw-rider awaits their carriage and they are swept along with the human tide down Love Street and forward to the Apothecary where sweet-pipe-dreams await the weary traveller. He knows the route well and the wait and the eventual return to Ma-Ma-Sans and repeat. He carries them on weekly retainer and today is payday;

‘Imagine! A month of wages for a week of waiting! ‘

He hustles them through the traffic and soon has them at the Apothecary’s door where he takes his stipend of 20 Ringgit and settles in to wait their return. He practises his English and repeats:

‘Hello. My name is Nazim’

Marky and Val are greeted by the
Apothecary as regulars and are shown
To recliners to be attended to by
Pipe-Girls in Cheongsam slit hip-high;

The tintinnabulations of their avian
Cooing and tittering
Attenuated
In the general quiet as the languid yet busy
Opium den conducts its pleasures for commerce.

They kick the gong around.
And repose
Eloquently wasted:

‘I think ‘we gotta go out of this place’
‘No Way! Get Fucked! Fuck Off!’
‘How many mornings before we wake up sick
And not no more having fun?’
‘No…..like the song
Am I ever gonna’ see your face again?’
‘I try to talk; you make fun!’
‘No Way! Get Fucked! Fuck Off!’
‘Seriously Val……lets go to Singapore?
Chill out for a ‘vhile……
…..
Drink stengahs..
Raffles…
..
.’
‘Yeah
………You right!
…………..
…….Gotta’ get out of this place…….
………yeah
……..You right….
You right……….’

Balinese:
…. night and as the rain clears the Sari-Club swells with travellers and tourist; street scamps dance for rupiah with monkeys perched upon their heads.  As Marky and Val toast the rest of the trawl trash drifting off to disco, dance and drink at the Lucky Seven Night Club, looking for a fight or a fuck or whatever. They drag with them the shoal of Swiss-Miss-Back-Packers still keen on inebriation and shouting leaving Marky and Val to shout at each other over the hubbub of tourist and monkey boys and Madonna who ‘Wants It Right Now’ and can ‘Make Him Show You How’.


‘Do you wanna’ do some shroom?’
‘Sleep, perchance to dream?’
‘Now who Speaks Of Hares?…
Well?..’

Val calls to a monkey-boy and with a 100 rupee note;
Orders\

‘Jamur…..Mabuk. Dua Potong. Pergi Disini Dua Potong Jamur Seratus Rupiah Untuk Anda.
Ok?’[4]
The boy tucks his monkey under his arm and with eyes all suddenly adult he demands:
‘Tidak Harga Biasa! Satu potong Jamur ini
Duaratus! Dua potong ini tigaratus!’[5]
‘Ok, ok 300 for the mushroom and 200 for you, when you get back?
‘Ok Mister!’

Val rubs two 100 rupiah coins together between his thumb and forefinger and with the appearance of three coins he gives them to the boy who looks at his hand saying:
‘ANDA  PENCHURI!’[6]

Val laughs and flips the boy another coin nimbly caught and with his monkey firmly tucked the boy is out into the evening traffic. Drinks are ordered and toasts drunk:

‘To You, For You and Up You!’
‘Fuck you mother!’

The boy returns and on receipt of the remainder dispenses bags of shrooms and Val and Marky wash these down with fresh drinks and toast the boy and each other and as per the nights preceding the eleven-o’-clock downpour drenches the streets of the strip with monsoonal sheets of rain falling like waterfall and cascading the soaking tourists and locals to splash through the flashing drains and run laughing for the shelter of the Sari Club’s thatched bar.

They kick on
And In-Vino-Veritas
With blurry edges
And visions.
Shouting at each other
Over the hubbub of tourist,
Monkey boys
And Madonna.

‘Remember Sanji?’
‘My name is…Nizam!’
‘Hah! Orchard road?’
‘Johhny-Two-Thumbs?’

Singapore:
Markey and Val, barely shaken or stirred by transit ,sip double Stengahs through straws and repose taking the languid punkah driven air in the:
Long Bar,
Raffles Hotel.
Singapore.

 Evening falls and as per days preceding their regular-rickshaw-rider awaits their carriage and they are soon swept along with the human tide and along Bras Basar Road searching for the legendary tattooist infamous, amongst sea-men and service-men and trawl-trash:
‘Johnny-Two-Thumbs ‘

Their regular-rickshaw-rider takes short-cuts through kampong and losman, laneways and alleyways.  They are transported through another time, an older Singapore more suited to fedoras and empire and safari suits. They pass gaping holes in the City-Scape where cranes and scaffolding stand guard on de-populated tracts of development and enterprise. In the harsh glare of shopping mall lights they are deposited at a high-line retail development rising all glass and steel and sleek from the dust and the heat of the street. They remonstrate with their rickshaw-rider;
‘No, no Sanji!
This not Johnny-Two-Thumb!’

Only to be told:
‘No Tuhan[7]!
Ol’ Mister Two-Thumb…
He die…..dead.
Numbah-One-Son makes New-Lucky-Shop!
No more Bras-Basar-Road.
Numbah-One-Orchard-Road!’

Electric doors open and admit them and close behind them with a hiss and pneumatic ‘KLOOOOOOSH’ and they rise from the street all glass and steel and sleek in the mirrored vault of the lift. They are reflected and re-reflected in images stretching perspective as a myriad of self-portraits stream back and forth and the infinite beckons from the peripheral shadows.

They exit the lift at the seventh floor and walk around the mezzanine past old Singapore recreated in gleaming tile and neon; restaurants and bar, apothecaries with bear bile and snake bile as potions and lotions, where coolies stream past laundries and yum cha joints hustle steaming trolleys.

They pass an English-Pub recreated with heavy oak fittings and pint glasses and beefeater pies and 16 dollar jugs of happy hour special margaritas. Marky says;

‘Vaste Not
Vant Not?’

And enters the bar to wait Vals’ return.

Val continues past shops stocking song birds and gilded cages, past boutiques and shoe shops and florists and finally enters under the blue and white flickering neon sign. He is assailed with the hum of transformers and tattoo guns rattling and grinding away as a fleet of navvies tough stamp anchors and sweet-hearts and flags to their hoary hides.

He is met at the counter by a Chinese teenager who screws up his eyes and says:
‘No Glot!
No Tickee No Laundry
Come Fliday!’

And then laughs and says in un-accented English;

‘No man…just kidding.
What you need?’

Val lifts his shirt and raising his right arm displays the unfinished work that stretches from armpit to hip and across his ribs.The teenager whistles and says;

‘Grand Father?
Uncle?
Father?
Val nods.
‘What you need?
You want finish?
Come back two hour!’

Val nods again and laughs as the youth shouts:

‘No-Glot.
Come Fliday!’

Val returns past song birds and gilded cages, past boutiques and shoe shops and florists, past old Singapore recreated in gleaming tile, restaurants, bars, apothecaries with bear bile and snake bile as potions and lotions, where coolies stream past laundries and yum cha joints hustle steaming trolleys. He returns to Ye-Olde-English-Pub where Marky waits with a 16 dollar jug of Happy-Hour-Special. He says;
‘Ten margherita!
Nyah hah hah hah!’

Balinese:
Night and as the Sari-Club empties and fills again with fresher tourists the rain-squalls advance and retreat with the incoming troughs and lows. Street scamps dance for rupiah with monkeys perched upon their heads.

Marky and Val shout at each other over the hubbub of tourist and monkey boys and Madonna and the drinks flow on riding the incoming swell of yester-year and awash in libation and commemoration. Markey is animated by remembrance and the booze and a big bag of ‘Trip-To-The-Moon-Mister’ blue meanies.

His laughter is infectious and with free drinks flowing like berley he seines a shoal after shoal of glitter glinting Back-Packers and as ‘Prince Markovich’ he presents each one for inspection only to have Val knock them all back one by one as too big or too small, too fat or too skinny, too German, too ugly, too old, not old enough and so on until Markey throws up his hands in exasperation and bemoans:

‘All this beauty……
 Val PLEASE?’
‘They all ugly <
Markey>’’
‘Please..Val….
Compared against what?
Please to look around!’
‘Exactly.
Compared to What?’

Markeys’ face is lit with recognition as he exclaims:

‘ Val……Val……..
Vhat about those girls in Singapore?
You remember?’
‘?’
‘In the disco….
Sixteen dollar jug margherita!
Yes?.......
Val?’
Singapore:
They wash up against the bar with the incoming tide of expatriates and working girls, where every taste of peninsular beauty is represented in  every combination and permutation as a million mirrored lexicons, refracted and reflected, bounce from mirror balls and mark the dancers in stroboscopic reliefs of bacchanalian disport and transports of ecclesiastical delights of flesh and the now.

Marky and Val kick on with Bloody Marys and  Screw-Drivers,  then G and Ts’ for the malaria and finally rum, dark and molasses and nasty. Chinese gentle-men sit in rumpled white linen suits and are fanned and attended to by bar-girls in cheongsam slit hip-high; the tintinnabulations of their avian cooing and tittering attenuated in the general bar noise

The Chinese watch as Marky and Val drink. They cheer them on raucously shouting:
‘YESSSSSSS!’
And
‘GOOOOOOOD!’

But their imprecations are lost in translation and fall unheard in the disco noise and the flashy grinding bump being performed by Eurasian beauties in neon tube dresses as the DJ invokes;

‘Get Down On With You Lambada’‘
Get! Down!! On! You! Lambada!!’

These girls dance like fluid snakes entwined. Their tube dresses move north and they are  moving their silken clad cunts in gyration and sliding them up and then down and up again against each other’s thighs. These sloe eyed beauties engage in a full and frank exchange in the tongues as of angels and of man.  The Chinese gentle-men in rumpled white linen suits watch this tango and cheer them on raucously shouting:
YESSSSSSS!’
And
‘GOOOOOOOD!’
Marky and Val are stupefied with drink, incapable of speech or movement, incapable of participation beyond Eyes-Wide-Open and an incandescent tumescence as the girls gyrate and neck before them.   
Tango, full participation, cheongsam rumpled raucously, tumescence and frank, this as their thighs sliding and Cheongsams like incandesce moving full and north. Neck as linen entwined. Engaged drink, gyrating. Gentle-men! They’re moving Val, full by north, beauties, suits, angels Eyes-Wide-Open to tongues entwined. Gyration speaks of cheer, gyrate cunts up, participation in movement, with linen. Others are cunts. These others and sliding fluid, sliding girls, drink, before rumpled girls and north entwined and down and of north and north and again north….
Balinese:
Moon and bent like a spoon in reminiscences and mushroom: in the heat Val strips his sodden sari club staff tee-shirt and in the flashing strobe of the disco he dances tattooed and naked to the waist; gleaming metallic like wiring with dragon and rhythms and rhymes and chants and orisons to the discipline of the Inkster’s arts.
Dragons and carp swim with octopi
 Pictographs of seraphim attending Venus
 Lions; rampart and flying.
He appears and re-appears frozen in the staccato stutter of dance-floor light as mystic images of shamanistic ciphers.

His laughter is infectious and with free drinks flowing like berley he seines a shoal after shoal of glitter glinting Back-Packers keen on inebriation and shouting. He appears and re-appears frozen in the staccato stutter of dance-floor light as mystic images of shamanistic ciphers.

Singapore:
Marky and Val are stupefied with drink, Eyes-Wide-Open and with incandescent tumescence but the girls move on, realizing that neither has the capacity for the patronage they seek. Too late, Val strips his shirt to join them in the lascivious Lambada but with them now gone he dances solo in stroboscopic reliefs of bacchanalian disport and in the transport of ecclesiastical delights. He appears and re-appears frozen in the staccato stutter of dance-floor light as mystic images of shamanistic ciphers with Dragons and carp swimming and octopi and pictographs of seraphim attending Venus with lions; rampart and flying. The Chinese gentle-men in rumpled white linen suits freeze and the bar-girls in cheongsam slit hip-high cease their fanning and attending and avian tintinnabulations and they all watch intently reading the signs and reading between the lines.

The Chinese gentle-men engage in terse exchanges in Mandarin as the bar-girls in cheongsams avert their gazes to the floor and furiously resume their fanning and attending and avian tintinnabulations as the appointed emissary approaches Val and bowing asks first in Mandarin and then English:

‘GRAND-FATHER?’                                

‘FATHER?’
‘SON?’

His words shatter to shards like Mah-Jong tiles and are swallowed by the noise of the bar and Val continues to dance all tattooed and naked to the waist; gleaming in the disco lights metallic like wiring with dragon and rhythms and rhymes and chants and orisons to the discipline of the Inkster’s arts.

Dragons and carp swim with octopi and pictographs of seraphim attending Venus with lions; rampart and flying. He appears and re-appears frozen in the staccato stutter of dance-floor light as mystic images of shamanistic ciphers.

The Chinese gentleman approaches: bowing again asking loudly this time; first in Mandarin then English:
‘GRAND-FATHER?’
‘FATHER?
‘Son?’
Val is lost in thought; incognizant that he is being questioned and stared at.
Dragons and carp swim with octopi and pictographs of seraphim attending Venus with lions; rampart and flying. He appears and re-appears frozen in the staccato stutter of dance-floor light as mystic images of shamanistic ciphers.
He dances solo in stroboscopic reliefs of bacchanalian disport and the transports of ecclesiastical delights of flesh and the now.
A third Time the emissary with looks of exasperation demands:
‘GRAND-FATHER?
FATHER?
Son?’
Val realizes that he is being questioned; required of some form of response. He states loudly in declamatory mode:
>In the beginning was the , and the  was with , and the was ! <[8]
The Chinese gentle-men engage in looks with the appointed emissary and then terse exchanges in Mandarin as the bar-girls in cheongsams furiously resume fanning: attending, avian tintinnabulations.
Val presents the tattooists’ business card that he had from the old man himself back in the day and the emissary bows whilst reading the card and then again to the Chinese gentle-men who look first each other and then exchange tersely in Mandarin. They bow first to the emissary and then to Val who then demands of the emissary;
‘Girls; lots of ‘em!’
The Chinese gentle-men laugh as the emissary translates girls as transvestites. The girls in cheongsam slit hip-high cease their fanning and attending and they too laugh in avian tintinnabulations and they all watch laughing as the appointed emissary bows and with barely controlled laughter says:
‘AHHHHH SOOOOOOOO!
You Want Girl?
Love You Long-Time?
Go Bugis Street.
Here No Glot!
Come Fliday’.
Singapore.
Their regular-rickshaw-rider awaits their carriage and they are soon swept along with the human tide along Bras Basar Road searching for the promised girls. He takes short-cuts through kampong and Losman and laneways and alleyways and they are transported through another time, an older Singapore more suited to fedoras and empire and safari suits. They pass gaping holes in the city-scape where cranes and scaffolding stand guard on de-populated tracts and onwards in the dust and the scurry and the heat of the street until finally they arrive on Bugis Street past shops stocking song birds and gilded cages, past boutiques and shoe shops and florists and past old Singapore  with  restaurant and bar and apothecaries with bear bile and snake bile as potions and lotions, where coolies stream past laundries and yum cha joints hustle steaming carts and lady-boys.
They remonstrate with their rickshaw rider;
No Sanji! No lady man! No boom-boom!’/
’Sanji? Where the girls at?’

He answers:
‘No Tuhan
No girl here!
No glot!’

Val feels ‘Johnny-Two-Thumbs’ extra digit goose him from the grave and the joke is on them. They laugh. And laugh.
Balinese:
Early morning and the Sari-Club empties as rain-squalls advance and retreat with the incoming troughs and lows. Street scamps with monkeys perched upon their heads leave  racing through the squalls to shelter as the music is turned down whilst the chairs turned up and an air of weariness is serenaded softly by Bob Marley and ‘No Woman No Cry’. Marky and Val shout at each other drunkenly over the quiet and as the staff clean up for shutdown the drinks flow on, advancing and retreating in incoming lows and troughs, riding the incoming swell of yester-year, awash in libation and commemoration.

‘They got jokes these China Men…..
jokes. yes. Hah.’
‘I seen you.
I saw you Marky!
Looked like you were in love!’

‘A little yes. Some were……
Very beautiful!’
‘Any port in a storm?’
‘It is …
As to say…….
I not to smell if…..
If you not to feel pain’

‘Or something like that.’
Singapore.
They tell Sanji to find a bar with girls and later still wash up against a bar with an incoming tide of expatriates and working girls, where every taste of peninsular beauty is catered for and represented in every combination and permutation.
A million mirrored lexicons, refracted and reflected, bounce from mirror balls and mark stroboscopic reliefs of bacchanalian disport and transports of ecclesiastical delights of flesh and the now.


                     Morning is breaking and as per the days preceding their regular-rickshaw-rider awaits their carriage home and they are soon swept along with the human tide and
short-cuts through kampong and losman and laneways and alleyways .They pass cranes and scaffolding standing guard on free development and enterprise and in the harsh glare of morning lights they tour past high-line retail developments rising all glass and steel and sleek from the dust and the scurry and the early morning heat of the street; past shops stocking song birds and gilded cages, past boutiques and shoe shops and florists and gleaming tile and neon where restaurant and bar and apothecaries with bear and snake bile as potions and lotions, where coolies stream past laundries and yum cha joints hustle steaming trolleys. They are mirrored in the gleaming glass as they pass and are reflected and re-reflected in images stretching perspective as a myriad of self-portraits and still-life stream back and forth and the infinite beckons from the peripheral shadows.


[1] Indonesia: ‘two cold  Bintang beer again’.
[2] 1, 2, 3 drunken fishermen.
[3]  Four Drunken Fishermen.
[4] Indonesian; ‘Mushroom…..Dizzy, Drunk. Two Pieces.
 Go Two Mushroom 100 Rupiah For You.
OK?
[5] Indonesian;’not usual price! 1 piece mushroom 200. 2 pieces is 300!.
                           [6] Indonesian; Thief’
[7] Boss.
[8] John 1:1 King James Bible